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The Cast:

John Worthing - Cole Smyth

Algernon Moncrieff - Taylor Hall

Gwendolen Fairfax - Catherine Cook

Cecily Cardew - Thane Chaves

Lady Bracknell - Elsa Poynter

Lane/Merriman - Pedro Echevarria

Miss Prism - Rebecca Brassfield

Rev. Canon Chasuble - Jaeden Cain

Director: Karin Musa

Stage Manager: Javan Cousino

The Importance of Being Earnest

April 3-5 and 10-12

Oscar Wilde’s brilliantly clever comedic masterpiece, The Importance of Being Earnest, was once called by critic W.H. Auden, “the only pure verbal opera in English.” Earnest tells the story of two young gentlemen in London, who each live a double-life, creating elaborate deceptions to find some balance in their lives. John Worthing escapes the burdens of responsibility to have an exciting life in the city, pretending to be his fictitious younger brother Ernest. Algernon Moncrieff, meanwhile, has invented a convenient invalid, Bunbury, whom he uses as an excuse to gallivant off to the country whenever he pleases. When John falls in love with Algernon’s cousin, Gwendolen, he is determined to come clean, but when Gwendolen reveals she can only love a man named Ernest, it somewhat complicates things. When Algernon discovers John’s secret and decides to visit John’s pretty little ward in the country, posing as the debauched “Ernest,” the situation gets entirely more complicated! Hijinks ensue, and the two gentlemen and their ladies are in for more than they ever anticipated when formidable Lady Bracknell, Gwendolen’s mother, begins sleuthing around to uncover the far-fetched truth. Oscar Wilde's brilliant comedy captures with wit and charm the absurdity and delight of the Victorian "age of surfaces" (as Lady Bracknell calls it,) while capturing the struggle of four passionate lovers trying to conform to expectations and, in the most roundabout and delightfully funny way possible, love who they wish and live how they want.

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13th Annual ONE ACT FESTIVAL - APRIL

The OAF is an opportunity for new playwrights to showcase their work. Each spring, six original one-act plays are selected from submissions and then performed. Prizes are awarded to top judges’ choice as well as the audience favorite. The One Act Festival can also serve as an introduction to theatre for those new to acting or directing.

Alice @ Wonderland - MAY

Stage Door Youth

What would happen if a 21st century Alice collided with Lewis Carroll’s legendary Wonderland? This modern retelling of the classic children’s story has all of the characters you know and love, including the Mad Hatter, the White Rabbit and the Queen of Hearts. The story is laid out in traditional style, except that Alice is distinctly contemporary, complete with cell phone in hand. Full of references to text messaging and social media, the play imagines a present-day Alice encountering the Wonderland so many of us treasure. A sharply told, crisply paced ride, this quality adaptation has been praised for its humor, modern style and appeal to both children and adults.

Spring Awakening - JULY

May be inappropriate for 13 and under. (Spring Awakening is recommended for mature audiences - for strong language, and adult themes.)

Spring Awakening is a rock musical with music by Duncan Sheik and a book and lyrics by Steven Sater. It is based on the 1891 German play Spring Awakening by Frank Wedekind. Set in late 19th-century Germany, the musical tells the story of teenagers discovering the inner and outer tumult of teenage sexuality.